Who owns the work when we stop?

Short answer. The maker owns it, unless it was transferred to you in writing. That holds even for work you paid for in full, and it is the most expensive surprise in an agency switch.

The maker owns it, unless it was transferred to you in writing. That holds even for work you paid for in full, and in an agency switch it is the most expensive surprise there is.

The rule

In Belgium copyright stays with whoever made the work. Paying for the assignment is not the same as buying the rights: those only pass with a written transfer stating what passes, for what use, for what territory and for how long.

If your contract says nothing, you usually hold a right of use for what the work was made for, and nothing beyond it. You discover that when you want to reuse that campaign on a new channel, or when another agency wants to build on it.

What it is about in practice

What to settle today

Put in the contract, in one paragraph: which rights transfer on payment, what happens to source files at the end of the relationship, and which licences are in your name. At the start that paragraph costs nothing. At the end it costs weeks and sometimes work that has to be remade.

And if the contract says nothing about it

Simply ask, before the termination letter. An agency leaving on good terms usually hands over the source files, even without an obligation. Ask after a difficult parting and it becomes a negotiation in which you hold the weakest position.

This is a general explanation and not legal advice; have your contract reviewed by someone qualified. At IKAg this clause is on the list by default when we put an agency contract next to the scope and the remuneration: see Agency evaluation & remuneration.

See also: what to put in an agency contract and how to make sure the handover goes well.

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